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The Korean Association for the Study of Popular Music(2022)

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摘要
Over twenty-five years have elapsed since Korean popular music (K-pop) has become popular outside South Korea. As it has become a global cultural phenomenon, the way K-pop fans support K-pop has also changed. K-pop fans unilaterally supported their music in the 1990s. However, K-pop fandom today forms a mutually inspired and admiring partnership with their favorite stars. This paper examines the evolution of K-pop fandom from the 1990s to the present by focusing on how it transforms from an example of a para-social interaction as proposed by Horton and Wohl to an example of Partha Chatterjee’s civil society. Furthermore, the author suggests that K-pop fandom today can be understood as an example of what Michael Warner refers to as a public.
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