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Bio
Dr Rachael Swain is a director, dramaturg and performance researcher and scholar of Scottish, Irish and English descent, born on the land of the Ngāi Tahu, Aotearoa and living and working between the lands of the Gadigal (Sydney) and the lands of the Yawuru (Broome), Western Australia. Rachael specialises in concept development, direction and dramaturgy for intercultural, intersectional and trans-disciplinary dance and theatre. She is a founding member and Co-Artistic Director of Marrugeku with Yawuru /Bardi dancer and choreographer Dalisa Pigram. She has co-conceived and directed Marrugeku’s productions Mimi (1996), Crying Baby (2001), Burning Daylight (2006), Cut the Sky (2015), and Jurrungu Ngan-ga (2022) and co-directed Buru (2010) and Ngalimpa (2018) with Pigram. Her dramaturgy credits include Gudirr Gudirr (2013), the video installation Gudirr Gudirr (2021) directed by Vernon Ah Kee, Burrbgaja Yalirra 1 (2018), Le Dernier Appel (2018), and No New Gods (2023) by Bhenji Ra and Nyuju (2023) by Emmanual James Brown for Burrbgaja Yalirra 2 and Mutiara (2023). She conceived and directed The Demon (2022) written by Michael Mohammed Ahmad and commissioned by Sydney Opera House and OzAsia Festival. Rachael gained a Masters in Advanced Theatre and Dance Research from DAS ARTS, Amsterdam and a Doctorate in Theatre Studies from Melbourne University. She is the author of Dance in Contested Land— new intercultural dramaturgies (Palgrave Macmillian, 2020) and co-editor of Marrugeku: Telling That Story—25 years of trans-Indigenous and intercultural exchange (Performance Research 2021).
Research Interests
Papers共 13 篇Author StatisticsCo-AuthorSimilar Experts
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CHOREOGRAPHIC PRACTICESno. 2 (2023): 99-104
Omid Tofighian,Rachael Swain, Dalisa Pigram, Benji Ra, Chandler Connell, Emmanuel James Brown, Feras Shaheen, Issa El Assaad, Luke Currie-Richardson, Miranda Wheen, Czack (Ses) Bero, Zachary Lopez
Humanitiesno. 28 (2022): 28-28
New World ChoreographiesDance in Contested Landpp.69-106, (2020)
New World ChoreographiesDance in Contested Landpp.107-146, (2020)
New World ChoreographiesDance in Contested Landpp.35-67, (2020)
New World ChoreographiesDance in Contested Landpp.1-34, (2020)
The Routledge Companion to Theatre and Politicspp.134-138, (2019)
Dalisa Pigram,Rachael Swain
Global Performance StudiesPerformance Climatesno. 2 (2018)
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Author Statistics
#Papers: 13
#Citation: 29
H-Index: 2
G-Index: 4
Sociability: 1
Diversity: 0
Activity: 0
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