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个人简介
Dr Paola Balla is an award winning visual artist, highly commended curator and sought-after community cultural development practitioner, speaker, facilitator and writer. She is a Wemba-Wemba and Gunditjmara woman who lectures with Moondani Balluk Indigenous Academic Centre, Victoria University. She teaches Politics of Aboriginal Art, into the Masters of Teaching program and Indigenous Specialisations.
Specialising in contemporary Indigenous art and Aboriginal women's art and practices of resistance and revitalisation, Paola was a Lisa Bellear Post Graduate Research Scholar during her PhD project. She has over twenty years' experience teaching Indigenous studies and contemporary Indigenous art practices, including in primary and secondary setting; education roles at the Botanic Gardens, Equal Opportunity Commission and Melbourne Museum as a Senior Curator in Bunjilaka Aboriginal Cultural Centre; and co-founding the Indigenous Arts and Cultural Program at Footscray Community Arts and Wominjeka Festival. Her current art and research focuses on black women’s art and activism, and its role in disrupting patriarchal and colonial dominant narratives and spaces.
She curated Executed in Franklin Street (2016) City Gallery, co-curated Sovereignty (2016) and Unfinished Business; Perspectives on art and feminism (2017) at ACCA. Her writing appears in Oceania, The Lifted Brow, Art Link, Writers Victoria, Freize (UK), SBS and NITV. She is a member of the Blak Brow Collective who edited the Blak Brow (2018) for The Lifted Brow.
Recent group art exhibitions include In Character, Verge, Sydney, (2019) Lucky, Bundoora Homestead, (2018), Next Matriarch (2017) ACE Open for Taranthi Festival, Adelaide, Walan Yinaagirbang -Strong Women, (2017) First Draft, Sydney, State of the Nation, (2016) Counihan Gallery, Smoke and Mirrors, (2016) Art Realm, Melbourne, Unframed (2016) Incinerator Gallery, Melbourne, In Good Company-with proppaNOW, Roslyn Smorgon Gallery FCAC, Melbourne (2016).
Solo art exhibitions include Disrupting Artistic Terra Nullius-PhD exhibition (2019) Roslyn Smorgan Gallery, FCAC, Her Stories, Kingston Art Gallery (2016), Kalina Yaryins (2015) at Tandanya Aboriginal Cultural Institute, Adelaide, Born into Sovereignty, Live in Sovereignty (2014) Manningham Gallery, Singin’ Up Country and Western, (2012) Koorie Heritage Trust, Lost and Found (2010) at Trocadero Art Space.
Paola utilises art as sovereign act, in both process and outcome for expressing blak matriarchy and First Nations ways of ‘being, knowing and doing.’
研究兴趣
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PEACE AND CONFLICT-JOURNAL OF PEACE PSYCHOLOGYno. 1 (2023): 21-30
ROUTLEDGE INTERNATIONAL HANDBOOK OF COMMUNITY PSYCHOLOGY: Facing Global Crises with Hopepp.212-226, (2022)
AMERICAN JOURNAL OF COMMUNITY PSYCHOLOGYno. 3-4 (2022): 352-364
The Routledge International Handbook of Community Psychologypp.212-226, (2022)
Australian and New Zealand Journal of Artno. 2 (2022): 151-159
METROpp.74-79, (2019)
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