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He has presented his research at the American Musicological Society, the Society for Seventeenth-Century Music, the Renaissance Society of America, and others conferences focused on early modern topics. One of his current research projects involves what he terms the “cultural archive of tonality,” with particular attention to Italian vernacular genres. He is also writing about the history of the Italian madrigal, as well as the Romanesca, a melodic and harmonic pattern found in many compositions across the 16th and 17th centuries. He was awarded the Prize Teaching Fellowship for his teaching in Yale College, and he has also taught as a member of the music history faculty at the University of Massachusetts Amherst.
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