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Ian Cross have undertaken research into many different aspects of music: experiments in music cognition have explored the nature of our experience of tonal and rhythmic structures, as well as the mechanisms that shape those experiences; a Leverhulme Trust-funded project with Professors Jim Woodhouse and Brian Moore (in the Departments of Engineering and Psychology, respectively) studied the perceptual correlates of violin acoustics (see Fritz et al, 2007; Fritz et al, 2010; Fritz et al, 2012); and projects in experimental archaeology have investigated the sound-producing potential of lithic artefacts and the possibility of their identification in the archaeological record (see Cross et al, 2002; Blake & Cross, 2008; Blake & Cross, 2015). Ian Cross have also written extensively on the relationships between music and processes of evolution (see OUP blog).
研究兴趣
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MUSICAE SCIENTIAE (2023)
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HUMAN-COMPUTER INTERACTIONno. 1 (2023): 25-48
Neta Spiro,Katie Rose M. Sanfilippo, Bonnie B. McConnell, Georgia Pike-Rowney, Filippo Bonini Baraldi, Bernd Brabec, Kathleen Van Buren, Dave Camlin, Tânya Marques Cardoso, Burçin Uçaner Çifdalöz,Ian Cross, Ben Dumbauld,
Music & Science (2023)
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AI & SOCIETYno. 6 (2023): 2387-2400
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PSYCHOLOGICAL RESEARCH-PSYCHOLOGISCHE FORSCHUNGno. 3 (2022): 872-893
Collaborative Insightspp.146-166, (2022)
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