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Chris Dorsett trained at the Royal College of Art in the early 1970s and, a decade later, established a creative interface between his field of expertise, the contemporary arts, and the Pitt Rivers Museum in Oxford. The exhibitions he organised with Helene La Rue, the Museum’s ethnomusicologist, generated unexpected and alternative interpretations of this famous collection. Dorsett went on to curate similar museum projects in Sweden and Finland, after which he applied his highly experimental method of exhibition-making to a Hong Kong heritage site (the walled village of Kat Hing Wai) and an Amazonian field station (part of his 2002-2004 Trees Walking project at the Royal Botanic Gardens, Kew). While he was a professor of fine art at Northumbria University, Dorsett wrote many essays for publications about museums. He recently returned to the Pitt Rivers Museum where his personal archive has been accessioned and is currently being catalogued.
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MARINE RESOURCE ECONOMICSno. 1 (2022): 000-000
user-5ebe3c75d0b15254d6c50b36(2018)
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